No. 110 (2023)

View No. 110 (2023)
Published: 2023-12-15

Full Issue

Articles

  • Artistic processing of Emotional Scenes in the Narrative Film

    ali anwer rasheed
    5-22
    DOI: https://doi.org/10.35560/jcofarts1280

  • The composition of the fragmentary image of the actor's performance in the Iraqi theatrical show

    Aqil Majid Hamed Al-Malahassan
    23-34
    DOI: https://doi.org/10.35560/jcofarts1201

  • The aesthetics of abstract expressionism and its representations in the artistic productions of the students of the Department of Art Education

    Sufyan Ahmad Awsaj, Ikhlas yas Khudair
    35-50
    DOI: https://doi.org/10.35560/jcofarts1143

  • The use of metal in ancient Syria in the manufacture of jewelry (ornamental tools in the third and second millennium BC and the molds used in their manufacture)

    Haider Hamidi Musa, Ruwaida Faisal Mosa Al Nawab
    51-68
    DOI: https://doi.org/10.35560/jcofarts1191

  • Symbolic Connotations in the Works of the Artist Eugene Delacroix

    Kholoud H. A. Al-Obaikan
    69-90
    DOI: https://doi.org/10.35560/jcofarts1206

  • Aesthetic and expressive characteristics in the works of Jean Dubuffet

    Raed Hassan Mikhilif, sahib Jassim Hassan Al Bayati
    91-108
    DOI: https://doi.org/10.35560/jcofarts1162

  • The role of artificial intelligence in revolutionizing the clothing and textile industry

    rasha Mujallid
    109-128
    DOI: https://doi.org/10.35560/jcofarts1274

  • The Philosophy of time in contemporary arts

    Abeer Ahmed Alfatni
    129-158
    DOI: https://doi.org/10.35560/jcofarts1277

  • The Aesthetics of Lumia Art in Contemporary Textile Arts, An Analytical Study

    Azizah Abdulaziz Mohammd Saqr
    159-178
    DOI: https://doi.org/10.35560/jcofarts1230

  • Aesthetics Contents of Data Visualization as an Input to its humanization

    Amal Muhammad Al-Mousa , Maha Mohammed Al-Sudairy
    179-194
    DOI: https://doi.org/10.35560/jcofarts1203

  • Utilising modelling software to convert functional utensils into ceramic art.

    Alaa Abdullah, Manal ALsaleh
    195-206
    DOI: https://doi.org/10.35560/jcofarts1186

  • Pedagogy and its applications in art education curricula

    Fadia Ali Jaafar Alzerjawi , Muhammad Juwayd Hussainah
    207-220
    DOI: https://doi.org/10.35560/jcofarts1147

  • The role of the theatrical technical supervisor in developing the skills of preparatory stage learners

    Asmaa Saadoun Ali, Aman Al-Shabib
    221-236
    DOI: https://doi.org/10.35560/jcofarts1176

  • The dialectic of form and meaning in postmodern art

    feras mahmmod mehsen alwaan
    237-258
    DOI: https://doi.org/10.35560/jcofarts1180

  • Formal coding and its relationship to aesthetic taste among students of the Department of Art Education

    Mohammed Abdullah Ghaidan
    259-276
    DOI: https://doi.org/10.35560/jcofarts1173

  • Virtual reality and its impact on the industrial product

    Mostafa Mohamed Barakat
    277-296
    DOI: https://doi.org/10.35560/jcofarts1227

  • Design contexts in interior space design (sewing workshops as a model)

    Makarem Salah Hassan, Faten Abbas Lafta
    297-314
    DOI: https://doi.org/10.35560/jcofarts1193

  • Phenomenology as an approach to seeing the aesthetics of ugliness in contemporary art designs

    Tahani Mohammad Nasser AL-Arifi
    315-350
    DOI: https://doi.org/10.35560/jcofarts1307

  • Representations of the Metaverse in the Works of Potter Jason Walker

    Mayada Hassan Merhej
    351-368
    DOI: https://doi.org/10.35560/jcofarts1317

  • The history of non-fungible crypto tokens (NFTs) art In the Kingdom of Saudi Arabia

    Najla Rashed Almubaddel
    369-392
    DOI: https://doi.org/10.35560/jcofarts1322

  • Pioneering and Growth of Plastic vision data in Modern Art

    Hadi Nafal Mahdi
    393-406
    DOI: https://doi.org/10.35560/jcofarts1264

  • Manifestations of femininity in Mahmoud Fahmy's drawings

    Yasir Ibrahim Hummadi
    407-418
    DOI: https://doi.org/10.35560/jcofarts1204

  • The extent of theatrical and musical arts contribute to the diagnosis And treatment of psychological problems Inmates of

    Yahya Salim Suleiman Issa, Nidal Mahmoud Nuseirat
    419-438
    DOI: https://doi.org/10.35560/jcofarts1172

  • Color composition and its uses in the space of ontemporary Iraqi theatrical performance

    Ayat sami ahmed, Aseel Laith Ahmed
    439-452
    DOI: https://doi.org/10.35560/jcofarts1310

  • Aesthetic approaches and their representations in calligraphic compositions (the Baghdad school - Yaqut Al-Mustasimi and his students as an example)

    Ahmed Naji Abdel Hassan, Amin Abdul Zahra Yassin Al-Nouri
    453-472
    DOI: https://doi.org/10.35560/jcofarts1305

  • Nightmarish Traits in psychological film

    Asia Ali Mahmoud, Alaa El Din Abdul Majeed Jassim
    473-488
    DOI: https://doi.org/10.35560/jcofarts1292

  • The technical and artistic dialectics of image construction in contemporary Iraqi theatre

    Iman Harbi Muhammad , Jassim Kazem Abd
    489-500
    DOI: https://doi.org/10.35560/jcofarts1300

  • Interactive integration into magazine cover designs

    shahid Abbas Fadhil
    501-516
    DOI: https://doi.org/10.35560/jcofarts1246

  • The Political Propaganda in the Contemporary Graphic Art

    Yaseen Wami Nasser
    517-542
    DOI: https://doi.org/10.35560/jcofarts1529

  • Artwork And The Pictorial Impact: The Material Preminence And The Emergence Of Meaning

    hafedh Mohamed Rekik, Saoussen Albechir Zarrad
    543-560
    DOI: https://doi.org/10.35560/jcofarts1530